I knew then that I did not want my vampires to be just like all the fictional vampires that were already out there I wanted my vampires to be less like Ann Rice’s vampires and more like the original mythology.
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I had always wanted to be an author, and some years ago I set out to write a trilogy of vampire novels.
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Obviously at some point in my youth I discovered the mythology of the vampire went beyond Bram Stoker’s Dracula, although I cannot honestly say when it happened. Each night around the dinner table we discussed what we learned that day and it seems to me that nothing brought my parents greater joy than when the whole family became deeply involved in a conversation where all of our cumulative knowledge was pooled, compared, and debated. At least once a week we would go to the library, returning home with a hodgepodge of books on various subjects. As best as I can trace it back, my parents were people who encouraged learning and valued education in their children. For me, there was no single event that sparked a sudden interest, no chance meeting with someone who inspired me. I am always hesitant to answer because as simple a question as it may seem, the answer, like the vampire itself, is complex. One of the questions I am frequently asked is how I ever came to be interested in vampires. Why did the Xhosa people of that region of South Africa develop their vampire the way they did? Why does the hili look the way it does? Why is it an indiscriminate killer, attacking anyone at any time of the day or night? Why are the vampires that live due west completely different in every way? Why do they not cross into each other’s territories? I know the answers to all these questions because I have delved into the history, anthropology, psychology, sociology, and religious studies of just about every culture I could get my hands on. But knowing the “why” of the hili is what a vampirologist does. A hobbyist or enthusiast may know that the hili is a vampiric creature who hunts the Xhosa people of Lesotho, South Africa, and to be certain it is a rather obscure bit of trivia. Throughout history, every culture of man has had an incarnation of the vampire, a being responsible for causing plagues and death. Knowing the “who, what and where” is one thing, but knowing and more importantly understanding the “why” is another. I can do that, too, but that is not how I came to be a known vampirologist. There are many people who claim to be experts on vampire lore and legend who will say that they know all about Vlad Tepes and Count Dracula or that they can name several different types of vampiric species. Preface I am a vampirologist-a mythologist who specializes in cross-cultural vampire studies. THE ENCYCLOPEDIA Bibliography 155 Index 183
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Table of Contents Preface 1 Introduction 7 Falcone, Noli nothi permittere te terere. McFarland & Company, Inc., Publishers Box 6¡¡, Je›erson, North Carolina 28640 To my father, Amedeo C. Cover illustration by Joseph Maclise, from his Surgical Anatomy, 1859 Manufactured in the United States of America All rights reserved No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage and retrieval system, without permission in writing from the publisher. Includes bibliographical references and index. McFarland & Company, Inc., Publishers Jefferson, North Carolina, and Londonīane, Theresa, ¡969– Encyclopedia of vampire mythology / Theresa Bane. Encyclopedia of Vampire Mythology THERESA BANE